Hotone Ampero II Stage — every effect block next to the real gear it's modeled on
The Holy Grail of compressor pedals is here. Comprosso is based on the legendary Ross™ Compressor pedal, which is unarguably the compressor of compressors. We carefully recreated the sonic character to get the same colorful, bouncy, natural compression as the original pedal.
The wonderful aroma of compression. Based on the famous Keeley® C4 4-knob compressor pedal, the Comparoma 4 delivers a silky, bouncy, studio grade compression sound.
The Blue Sustainer is based on the legendary 3-knob compressor/sustainer pedal, which produces warm, natural compression with long sustain and some gentle clipping.
A compressor effect reduces the dynamic range of your signal and makes your sound much stronger. The Squeezer is a fully-functional compressor with lots of tonal flexibility. A Tone knob is specially designed for further tone shaping.
The Affinity Boost pumps up that sweet sound you've found in your amp. Based on the famous Xotic® AC Booster pedal, it serves up a wide ranged sound character with power and sensitivity. Or use it as an overdrive to get a sweet, classic tube-like drive with a "wide open" feel.
If you're going to have a steak, you want it big and juicy. The Beefy Boost is based on the classic Xotic® BB Preamp pedal. It serves up a wide ranged sound character, giving you a boost of encouraging lows and inspiring highs. Or use it as an overdrive to get a thick, juicy "overdriven steak" with a little compression.
The Pristine Boost features a unique "no character" character. Based on the famous Xotic® RC Booster pedal, it offers a super transparent clean boost and a powerful active 2-band EQ so you can maintain your original tonal flavor. Simply put it in your pedal chain, tune up, and leave it on!
The Enhancer is based on the Xotic® EP Booster pedal. This pure booster is the key to unlocking MASTER sounds. With expanded frequency response and increased dynamic range, this pedal enhances the vitality of everything you run into it.
The Forest Boost is based on the Fortin® Grind booster pedal, providing a max. +20dB boost amount. It helps tighten up your tone while adding some aggressive edges.
This model is based on one of the world's most iconic effect units: the Dallas Rangemaster™ Treble Booster. Born in 1965, the unit was intended to work as a preamp to get the guitarist more gain and treble. Connect it to a dark UK-style amp, plug in an LP-style guitar, and you get the magical tone the 1960s UK guitar heroes depended on.
The Micro Boost is based on the legendary MXR® M133 Micro Amp pedal. Providing up to 20dB of gain, the Micro Boost elevates your amp sound without changing its tonal character.
Our Gated Boost is designed for modern Dentlemen and metalheads who need huge gain buy not noisy artifacts. A built-in noise gate reduces hum and keeps your palm muting tight. Use the Low Cut knob to get your tone where you want it.
This is a special tone simulator that simulates the legendary "Woman Tone" created by Eric Clapton during his Cream years. The tone is thick, sustaining, kazoo-like but maintaining note definition and enough attack.
Based on the legendary FET-based belt clip preamp, this FET boost is a clean volume machine. Use this pedal to get a huge amount of gain without any distortion, tone sculpt with the flexible 2-band EQ. Onboard you'll also find a handy low cut filter for tone shaping and eliminating low frequency feedback.
This model is based on the famous ISP® Decimator™ noise gate pedal. Like the original, the extremely easy-to-use noise gate gets you smooth, ripple-free noise tracking and keeps your signal pristine.
This is a 2-mode noise gate with fast response, which is great for modern Djentlemen and metalheads.
This is a fully-functional noise gate with detailed control. The individual Attack and Release controls play nice with amps and other pedals.
This reverse expander-based noise gate eliminates noise smoothly and naturally, while preserving the full sustain and dynamics of your desired signal.
This is a straightforward, user-friendly limiter effect. You can set the safe threshold for the signal level with simple parameters, completely preventing signal overload and clipping.
Moo VCF LP: This is a low pass filter that lets the lows go and attenuates the highs. Inspired by the legendary Moog® VCF, it gives you a lot of fun to use with synths, and it's also great on guitar/bass to create something synth-y.
Moo VCF BP: This is a band pass filter that lets a selected frequency range go and attenuates others. Inspired by the legendary Moog® VCF, it gives you a lot of fun to use with synths, and it's also great on guitar/bass to create something synth-y.
Moo VCF HP: This is a high pass filter that lets the highs go and attenuates the lows. Inspired by the legendary Moog® VCF, it gives you a lot of fun to use with synths, and it's also great on guitar/bass to create something synth-y.
Also in: Moo VCF Env (Envelope)
This is a low pass filter that lets the lows go and attenuates the highs.
This is a band pass filter that lets a selected frequency range go and attenuates others.
This is a high pass filter that lets the highs go and attenuates lows.
This is a notch filter that boosts/cuts selected frequency range. The filter shape is very narrow so you can use it to accurately eliminate unwanted feedback or fine tune your tone.
This is a peak filter that boosts/cuts a certain frequency range. Like a frequency band on a parametric EQ, this model is great tool for tone shaping.
This is a low shelf filter that boosts/cuts signal below a set frequency which is great for effectively boosting/eliminating low ends.
This is a high shelf filter that boosts/cuts signal above a set frequency which is great for effectively boosting/eliminating low ends.
This is a tilt filter, a quick tool for tone sculpting. Like a seesaw, it boosts the signal above a set frequency and cuts the signal below it, or vice versa.
This is an envelope filter inspired by the legendary Moog® VCF. This is a lot of fun to use with synths, and it's also great on guitar/bass to create something synth-y.
Also in: Moo VCF LP (Filter) · Moo VCF BP (Filter) · Moo VCF HP (Filter)
Toucher G is an envelope filter designed for guitars, offering you a wide range of tonal variety. Set the Sense, Range, and Q parameters to fit your instrument and playing style.
Toucher B is an envelope filter designed for basses, offering you a wide range of tonal variety. Set the Sense, Range, and Q parameters to fit your instrument and playing style.
This is a highly customable envelope filter. Fine tune the knobs onboard to make your creations: Funky wah, synth-y vibe, robot talk, cyber voice sweep – You decide!
The Crier G is a controllable band pass filter which delivers a variety of auto-wah effects. Designed for guitars, this model has many parameters for shaping the tone of your wah sound. Start with the frequency range adjustment to decide the basic flavor of your wah-wah.
The Crier B is a controllable band pass filter which delivers a variety of auto-wah effects. Designed for basses, this model has many parameters for shaping the tone of your wah sound. Start with the frequency range adjustment to decide the basic flavor of your wah-wah.
This is a highly customable LFO-based auto filter. Fine tune the knobs onboard to make your creations.
This is a highly customable special auto filter providing a human-like tone with two voices. Fine tune the knobs onboard to make your creations.
This model is a 4-step filter machine for creating synth-like sounds. Each step features an individual frequency control, and a rate control sets the sequencing speed.
This model is a 8-step filter machine for creating synth-like sounds. Each step features an individual frequency control, and a rate control sets the sequencing speed.
This model is a pattern filter machine for creating synth-like sounds. It provides max. 8 steps and 8 different patterns. A rate control sets the sequencing speed.
Classic PS: This model is a monophonic pitch shifter with max. 2 octaves pitch shifting range, simulating the classic Whammy® tone.
80s Detune: This is a detune effect simulates the detune effect coming from THAT legendary 1980s red pitch bend pedal. Great for producing 1980s tone.
This model is a monophonic octaver that creates notes one octave lower and two octaves lower. Single note processing and individual wet/dry signal control recreate the vintage "dirty" analog octave pedal sounds.
This model is a monophonic octaver that creates notes one octave lower and two octaves lower. Single note processing and individual wet/dry signal control recreate the vintage "dirty" analog octave pedal sounds.
This model is a polyphonic octaver that creates notes one octave higher and one octave lower. Individual octave voice control and dry signal control can bring you lots of fun, and polyphonic processing support means playing chords is absolutely no problem.
This model is a polyphonic 2-voice pitch shifter with max. 2 octaves pitch shifting range. Detailed pitch shifting settings can bring you lots of fun.
This model is a polyphonic 4-voice pitch shifter with max. 2 octaves pitch shifting range. Detailed pitch shifting settings can bring you lots of fun.
This model is a polyphonic pitch shifter with max. 2 octaves pitch shifting range. Individual mix/max pitch range settings can bring you lots of fun.
This is a detune model which combines a slightly pitch shifted signal with the original signal, producing a lush, chorus-like sound. Use the Dry, Wet and Detune knobs to expand your sonic dimensions.
This is a dual-voice detune effect combines two slightly pitch shifted voices with the original signal, producing a lush, chorus-like sound. Use the control knobs to expand your sonic dimensions.
This is a quad-voice detune effect combines four slightly pitch shifted voices with the original signal, producing a lush, chorus-like sound. Use the control knobs to expand your sonic dimensions.
This model is a polyphonic pitch shifter. You can use it as a virtual capo, or use it to simulate down tunings on your guitar.
This model is a monophonic single voice automatic harmony with max. one octave pitch shifting range. Detailed Key, Scale and Interval settings can bring you lots of fun.
This model is a monophonic dual voice automatic harmony with max. one octave pitch shifting range. Detailed Key, Scale and Interval settings can bring you lots of fun.
This model is a polyphonic octaver that adds lower octave harmony via adjustable range parameter. Automatically complements bass line from your phrase’s root notes, just like an on-call bassist, with no impact on high-end melody.
This model is a polyphonic pitch shifter with max. 2 octaves pitch shifting range. It features more accurate intonation and better stability.
This model makes an ordinary guitar play like a 12-string guitar. One knob makes it easy to use.
This model is a sweet-sounding bitcrusher/sample rate reducer with full control over the bit resolution and sample rate. Use the low pass filter and high pass filter onboard to get your own sound variations.
This is a ring modulator which produces interesting inharmonic frequency spectra. The Freq, Tone and Mix controls are tweak up unique bell and chime effects, and a Fine knob gives you extra control over the frequency.
This special filter makes you sound like you're playing over an old phone. Tweak the Noise and Shake knobs to get a seriously iffy connection.
Can't get no satisfaction! This model is a tape saturation simulator that simulates the sound character of a vintage reel-to-reel tape recorder, bringing you unbeatable analog warmth and natural distortion.
This filter is a vintage microphone simulator that makes you sound like you're rocking through a pre-war microphone. Use the Mic Type knob to pick the sound you like best.
Enjoy acoustic refinement: This one-knob tool enhances all that is good in acoustic guitars. It gives a more natural, "woody" tone to your plugged-in acoustic sound, doing wonders for piezo pickups! One knob makes it simple.
This is an acoustic simulator designed for electric guitars that provides an adjustable range wide enough to give an ordinary electric guitar a variety of natural and realistic acoustic tones.
Pitch Correction is a simple and easy-to-use automatic vocal pitch correction effect. If your voice frequency is between ±50 cents of any note in the 12-equal temperament (A=440Hz), this effect can automatically bring your voice closer to the standard frequency of that note.
AT-Tune is a powerful automatic pitch correction/shift effect for vocals, with a wide adjustment range. It can be used not only to adjust and correct the pitch of vocals, but also to create a robotic-like sound sound through deliberate exaggerated pitch correction and large pitch shifts.
Vocal Harmony is a monophonic dual voice automatic harmonizer for vocals. It automatically matches suitable harmonies to the notes you sing based on your settings.. Detailed Key, Interval and Low/High settings can bring you lots of fun.
This model is based on the legendary vintage VOX® Clyde McCoy® wah pedal, reproducing the voice-y expressive wah tone.
This model is based on the VOX® V845 wah pedal, bringing you the heart and the soul of the golden wah-wah tone.
This model is based on the vintage VOX® V846 wah pedal, bringing you the heart and the soul of the golden wah-wah tone.
This model is based on the vintage Colorsound® Wah-Wah pedal, bringing you the heart and the soul of a golden British wah-wah tone.
This model is based on the Morley® Power Wah, bringing you the iconic Morley® wah tone that was popular since 1970s.
This model is based on the legendary Dunlop® CryBaby® wah pedal, bringing you the iconic deep, rich tonal sweep.
This model is based on the legendary Dunlop® CryBaby® 535Q wah pedal, a versatile wah with detailed tone control.
This model is based on the Dunlop® JP95 John Petrucci CryBaby® wah pedal that customized on John Petrucci's demands. The built-in EQ is fixed to default.
This model is based on the Dunlop® KH95 Kirk Hammett CryBaby® wah pedal that customized on Kirk Hammett's demands.
This model is based on the Ibanez® WH-10 wah pedal, producing a creamy 80's wah tone that beloved by RHCP's John Frusciante.
This model is based on the WAH mode of our best-selling 3 in 1 mini pedal: Soul Press.
This model is a bass wah that based on the WAH mode of our best-selling 3 in 1 pedal: Bass Press.
This model is inspired by the legendary "Shaft" sound, which is great for funky music.
This model is based on the legendary Ibanez® TS-808 Tube Screamer®. Featuring a warm, juicy overdriven sound, this Green Drive is the incomparable vintage overdrive model you've always been hoping to find.
This model is based on the legendary Ibanez® TS-9 Tube Screamer®, which was originally designed to simulate the sound of a vintage tube amplifier. Like the original, the Green 9 model has a rich, smooth and natural overdriven sound, and it won't lose any detail of your playing.
Based on pretty much the first overdrive pedal the world ever saw, Yellow Drive brings you the iconic beefy, cream-like overdriven sound with pronounced details and a wide dynamic response range. NO TONE CONTROL – YOU WON'T NEED IT!
This Super Drive is based on a classic, widely used overdrive which features a unique asymmetric overdrive circuitry. Delivering a rich, authentic-sounding tube-driven overdrive effect with wide tonal range, it's one of a must-have overdrive model in your effect chain.
Based on the widely used blues overdrive (and the famous PHAT-modified version), Dr. Blues is a roadmap of classic bluesy textures to take you from sweet Tennessee to screaming Texas. Turn up the GAIN knob to get a warm distortion with tons of sensitivity and a wide frequency response. It works great on bass too!
Based on the Providence® SOV-2 Stampede OD pedal, this model delivers the natural overdrive tone without affecting the inherent sound character of your guitar. No matter what you need – from crunchy rhythms to singing solos, the Swarm Drive will never let you down.
Based on the legendary Fulltone® OCD® overdrive pedal, this model gives you that great amp-like flavor of a cranked up vintage amp. Get wild with this responsive, super powerful overdrive monster!
The Tube Clipper is based on the legendary B. K. Butler® Tube Driver®, the REAL TUBE overdrive with a 12AX7 tube inside. Famous for the violin-like "Cliffs of Dover" tone, it sits atop many a studio pro and live musician's wish list.
This Blues Butter overdrive model recreates the magic of the classic Bluesbreaker® sound for you. Based on the Marshall® Bluesbreaker® overdrive pedal, this low-mid-gain overdrive will add sweetness (and a little wildness) to your guitar sound. You can use it as a clean boost too!
Based on the legendary Marshall® Drive Master overdrive pedal, the Grand Driver model offers a 3-band tone control. It is like adding an extra amp with classic British overdrive tone to your set up. This will push your performance to an even higher level!
This model is a touch-sensitive overdrive with wide-ranged dynamics. Based on the legendary Hermida® Zendrive®, the Zen Garden delivers an overdriven tone associated with some of the finest, most costly amplifiers on the market. With the four knobs onboard, you can easily touch the soul of ZEN!
Direct Touch is based on the famous Barber® Direct Drive overdrive pedal. Delivering sparking tube style overdrive with great clarity, you'll hear every note singing with pride and joy – just like a real vintage tube amp does!
Based on the legendary Klon® Centaur, this overdrive model gives you an authentic amp-in-a-box feel with full, rich sound character that is not harsh or boomy at all. Turn Gain knob to minimum you get a superb clean boost.
This model is based on the famous Lovepedal® Eternity overdrive pedal, a Screamer-inspired overdrive that goes beyond the green machine. Same as original, the unique Glass control makes it work great as both overdrive and clean boost. Jump in to that eternal sound beloved by Police's Andy Summers and GNR's Richard Fortus.
Precise Attack is a modern booster/ overdrive model based on the famous Horizon Devices® Precision Drive. Designed by Misha Mansoor, this pedal is an everything solution for progressive musicians. Plug in an extended range guitar, or run into a high gain amp to find the prog magic. Special designed Attack control tightens the low ends and makes your sound prog-y. A built-in smart noise gate reduces hum and keeps your palm muting tight.
Magic T is an overdrive model based on the legendary Paul Cochrane Timmy® overdrive (V2) pedal – one of the first transparent overdrive pedals. Like the original, Magic T pushes your amp/guitar to the limit while maintaining the original flavor and dynamics.
Prince of Drive is based on the famous Analog.Man™ Prince of Tone overdrive pedal, one of the best transparent overdrive pedals.
This model is based on Nobels® ODR-1 Natrual Overdrive, a must-have among countless session musicians like Tom Bukovac, Jerry Donahue, John Shanks, and more.
The Screamood model is a classic overdrive inspired by the evergreen TS-style overdrive served with its most enduring modification. Use the two onboard switches to find your favorite screaming mood.
Many dirt pedals released throughout the 1970s began to blur the lines between fuzz and distortion. The Big Pie is one of them. Based on the legendary Big Muff Pi®, this model is a fresh take on the fuzz tone territory. You get a wide-ranged sound character using the TONE knob – from creamy overdrive-like sound to really aggressive fuzzy tone.
This model is based on the legendary Dallas-Arbiter® Fuzz Face®. Featuring a unique, unmistakable creamy sound with incredible dynamics, the pedal remains a favorite among many rock stars – Hendrix, Gilmour, Townshend and more!
This model recreates the sound of a Dunlop® Fuzz Face® (with Germanium transistors) with advanced modeling methods.
This model is based on the legendary Sola Sound® Tone Bender Mk II® fuzz pedal – the legend of the legends. We reproduced the smooth, honey-like tone that was beloved by Page and many more professional musicians.
This little yellow box has produced lots of great soundings in countless classic studio albums. Yeah, we're talking the legendary MXR® M104 Distortion +, and this M104-based Plustortion. The Plustortion recreated the Germanium-powered soft clipping distortion, like what Randy Rhoads and other hard rockers do!
Based on the famous late-70's distortion pedal that is a favorite among pro guitarists and pedal modifiers, the Smooth Dist is truly a classic distortion model. It produces a distortion sound ranging from screaming loud to whisper soft. Of course, it faithfully reproduces the dynamics of your playing style.
Here is another dirt pedal that changed the rules. Based on the ProCo™ RAT2 distortion pedal (early LM308 op-amp version), Black Tail brings you the real underground rock scene. Sweet overdrives, grinding rhythms, roaring solos – Black Tail cashes in with authority and power. Same as the original, Black Tail features the legendary FILTER control: Turn it clockwise to cut off the high end, turn it counterclockwise to allow the natural brightness of your instrument through.
Based on the legendary Marshall® The Guv'Nor distortion pedal which was well known for its high quality and iconic British distortion tones, it recreated the world-famous drive sound of a classic Marshall® stack at full tilt.
The Shredder is based on the legendary Marshall® Shred Master distortion pedal, the one well known for used by Radiohead's Jonny Greenwood to create his twisted distortion walls.
Based on the MI Audio® Crunch Box®, this model brings you high-gain British amp distortion in a stompbox. Simple and straightforward, with just gain, tone, and volume control, the Crunchist distortion easily recreates the huge crunch of a British amp.
Metaland Distortion provides an insanely heavy distortion with edgy highs, powerful mids and heavy lows. Inspired by the world's most popular heavy metal distortion pedal, the Metaland is definitely an extreme "dirt wall" creator.
Go and get your riot gear! Rebel is based on the famous Suhr® Riot Distortion™ pedal, characterized by massive distortion that maintains touch sensitivity. Now you've got an authoritative shredding and riffing machine just a kick away!
Here's another great 80s lead sound: Based on the famous Wampler® Plexitortion pedal, this Pleximaker does exactly what you think: kick it on to get hot-rodded British lead amp tone.
This model is based on a famous dirt box recreating the iconic boutique UK-style hi-gain "Brown Eye" tone with versatility.
The Panama Lead is a distortion model inspired by the legendary "brown sound" amp. This distortion takes your brown lead all the way from raw to relentless.
If you're looking for an all-around bass driver, this is the one. Based on the widely used yellow bass driver, the Bass OD gives you a massive bass sound with super wide tonal flexibility.
The Behemoth M is based on the famous Darkglass® Microtubes B7K Analog Bass Preamp pedal. This pedal can turn your whispering bass into a growling monster, all while preserving the clarity. Onboard EQ gives you wide tonal flexibility.
Basshammer is based on the famous Aguilar® Tone Hammer Bass Preamp pedal, a great swiss army knife for modern bassists.
This bass preamp model is based on Tech 21® SansAmp® Bass Driver DI. It boasts an exceptional dynamic range, enabling it to effortlessly produce bass tones ranging from powerful clean sounds to crushing distortions.
Solid Steel is a flexible drive pedal designed for bass. We voiced this one to deliver a rich driven bass sound. Use the Mode knob to select from 3 unique sound characters.
Every amp here (except Power Amp) also exists as a preamp-only block in the PRE AMP category, under the same name.
The Tweed Chap is an amp simulator based on the sound characteristics of the legendary Fender® Tweed Champ amp (5F1 version), an awesome little "practice amp" with huge tone. Crank it up you get the sweet "boxy" sound which made it popular in studios.
The Tweed Lux is an amp simulator based on the sound characteristics of the legendary Fender® Tweed Deluxe amp (5E3 version, BRIGHT channel). Featuring rich, singing clean and juicy, luscious overdrive, the mysterious DELUXE amp with the TWEED cover can be found everywhere from studios to bedrooms.
The Tweed Prince is an amp simulator based on one of the legendary studio combo amps: Fender® Tweed Princeton Amp (5F2-A version), another "huge tone in a small box" masterpiece which remains popular among players, builders and collectors. A Tone knob makes it more versatile.
This model is an amp simulator based on the sound characteristics of the legendary Fender® Bassman® amp (5F6-A version, Normal channel), the American legend with a twangy top and fat bottom end. Originally designed for bass, it soon became popular among guitar players.
Other channels: Baseman Bright (Drive)
The original clean sound. The Black Twin is based on the legendary Fender® '65 Twin Reverb® amp. It provides a super clean, crystal-like sound with scooped mids, popularly known as the "Blackface Sound".
Black Deluxe: The Black Deluxe is an amp simulator based on the legendary Fender® Blackface Deluxe Reverb® amp (Normal CH), providing you a more scooped "blackface" sound with chime-y highs. Plus, it's easier to crank up too!
Black Deluxe+: The Black Deluxe+ is an amp simulator based on the Fender® Blackface Deluxe Reverb® amp (Vibrato CH – the most popular channel among musicians), providing you a more scooped "blackface" sound with chime-y highs. Plus, it's easier to crank up too!
The Black Prince is an amp simulator based on the Fender® Blackface Princeton® amp (AA964 version). Push it to the verge of breakup you'll find the fantastic tone beloved by lots of musicians.
The Black Super is an amp simulator based on the Fender® Blackface Super Reverb® amp (AB763 version), a huge sounding amp delivering you the lovely "blackface" chimes with enhanced treble and bass.
The Black Vibra is an amp simulator based on the Fender® Blackface Vibroverb® amp (AA763 version), which contributed a lot on SRV's iconic colossal tone. Plug in a classic ST-type guitar and you'll feel your Texas blood flooding!
The Brown King Clean is an amp simulator based on the Fender® Brownface Vibro-King® amp (FAT switch off), one of Gary Clark Jr.'s favorite. It gives you a beautiful shimmering clean when turned down, and a serious touch-sensitive dirt when cranked up.
Other channels: Brown King Drive (Drive)
The Brown Vibra is an amp simulator based on the Fender® Brownface Vibrolux® Amp (6G11 version), giving you a warmer, slightly dirtier Fender® tone. It became a rock legend after Mark Knopfler used it to record the famous Sultan of the Swing album.
The Brown Concert is an amp simulator based on the Fender® Brownface Concert® Amp (6G12 version, Vibrato input), one of the crown jewels of vintage amps. The sound is pure, shimmering with lots of headroom. Of course you can also push it to the edge to get a mild, brown-ish overdrive.
The Brown Super is an amp simulator based on the Fender® Brownface Super-Amp (6G4 version), one of the first twin-speaker "professional" amp, delivering a touch sensitive, sweet Brownface-era tone.
The Silver Twin is based on a 1970's Fender® Silverface Twin Reverb® amp (AC568 circuit, Vibrato input), giving you a different sculpting of the classic "Fender® Tone" – a crystal-like sound with scooped mids and great headroom.
The Silver Master is based on the legendary Fender® Silverface Bandmaster® amp (early AB763 version), which was treated as the "holy grail of Fender® tone". Not much tweaking is needed - Just plug in, turn up the volume and feel the magic.
SUPERB retro tone. The Superb Dual Clean is based on the famous Supro® Dual-Tone 1624T combo (CH 1). It produces the sweet 60s "stairway" scene replica, from bell-like cleans to gritty blues.
Other channels: Superb Dual Drive (Drive)
This is an amp simulator based on the Gibson® Scout amp, a rare vintage amp with a smooth vintage clean sound.
The legendary Solid sound. Our Jazz Clean is based on the immaculate "JC clean" 2x12 solid-state jazz-amp combo. The pure transparent clean sound has ruled for more than four decades and remains incontestably reliable among pro musicians.
This model is an amp simulator based on the sound characteristics of a vintage VOX® AC15 combo (with Top Boost), the little brother of the legendary VOX® AC30, giving you the same British Invasion sound.
This model is an amp simulator based on the sound characteristics of the VOX® AC30HW combo (Normal channel). As the UK music scene grew out of small pubs to later cross the Pond, almost everyone was using the combo amp covered with a diamond grill cloth, the legendary VOX® AC30. This became the British Invasion sound.
Other channels: Voxy 30HW TB (Drive)
This model is an amp simulator based on the sound characteristics of the legendary Hiwatt® DR103 amp head (NORMAL channel), which has proved itself through decades of rock history (think Gilmour, Townshend, et al.). Set it up for pure, powerful, transparent tone or crank it to get some rich British overdrive – you decide!
Pendragon Clean: The Pendragon Clean is based on the Normal channel of the famous Grindrod® Pendragon PG20C combo (bright off), a masterpiece designed by tube amp guru Steve Grindrod, ex-chief designer of VOX® & Marshall®. Delivering you an authentic British tone that is warm and expressive, with some simple dialing you'll get in touch with the legendary UK rock'n'roll scenes. Turn up, stand back and you're ready to rock!
Pendragon Clean+: The Pendragon Clean+ is based on the Normal channel of the famous Grindrod® Pendragon PG20C combo (bright on), a masterpiece designed by tube amp guru Steve Grindrod, ex-chief designer of VOX® & Marshall®. Delivering you an authentic British tone that is warm and expressive, with some simple dialing you'll get in touch with the legendary UK rock'n'roll scenes. Turn up, stand back and you're ready to rock!
Other channels: Pendragon Drive (Drive)
Meet the Emperor of Tone! Based on the Matchless™ Chieftain 212 combo (clean sound), the Emperor features the rich harmonics and matchless sensitivity that made this amp a Class A legend.
Other channels: Emperor Drive (Drive)
Match 30 Clean is based on the unbeatable Matchless" DC-30 combo - one of the earliest boutique amps, which takes the legendary UK-style Class A sound to a new level.
Based on the 1st channel of the famous Bad Cat® Hot Cat 30 amp, the Hot Kitty Clean is a total Class A clean machine. The unique tone finds itself somewhere between British and USA territories with rich upper harmonics.
Other channels: Hot Kitty Drive (Drive)
This model is based on one of Dr. Z®'s most enduring designs: the famous Dr. Z® Maz 38 Sr. combo (clean sound). This amp has the kind of clean headroom that makes it a great pedal platform, yet as a standalone it is incredibly versatile, granting access to both American twang and UK Class A chime.
Other channels: Dr. 38 Drive (Drive)
This model is based on a famous Dr. Z® model: the simple-but-powerful Dr. Z® Route 66 amp. Thanks to a pair of KT66 power tubes in the power amp, this amp can bring you an adorable creamy thick sound with lots of dynamics and definition.
The Press Wrecker is based on the legendary Trainwreck® Express amp, a super-rare boutique amp created by Ken Fischer, brings you a high end Plexi-style sound that reacts extremely faithful to your fingers.
The Pool Wrecker is based on the legendary Trainwreck® Liverpool amp, a super-rare boutique amp created by Ken Fischer that reacts extremely faithful to your fingers. It creates a sound that mixes Plexi-style crunch with some Class-A chimes.
Here comes the THE LEGEND! The Dumbell ODS 1 is based on the legendary Dumble® Overdrive Special amp head (Overdrive section off), providing THAT tone created by lots of legendary jazz/ blues/fusion musicians.
Other channels: Dumbell ODS 2 (Drive)
The Tangerine A30 Clean is based on the famous Orange® AD30 amp head (CH 1), a 30-watt, vintage modern Class A model with Orange®'s famous "juicy" sound. Adjust the GAIN knob to get the magic: glassy boutique chime with the gain low, and roaring British chomp with the gain up.
Other channels: Tang A30 Drive (Drive)
The Superstar Clean is based on the clean channel of the famous Mesa/ Boogie® Lone Star® combo, bringing you a punchy, shimmering twang with love and joy.
Other channels: Superstar Drive (Drive)
This model recreates the sound characteristics of the famous Mesa/ Boogie® JP-2C™ amp (CH1), John Petrucci's signature amp head, delivering a crystal-like clean sound with tons of headroom.
Other channels: Petrus Crunch HQ (Drive) · Petrus Lead HQ (Hi Gain)
Glacian Clean is based on the clean channel of the famous Bogner® Shiva combo (20th anniversary version). Our replica reproduces the glassy hi-fi clean sound powered by a pair of KT88 power tubes. This is a super wide-open sound with immerse headroom, sensitive moods, and great low end response.
Other channels: Glacian Drive (Drive)
Soloist 100 Clean: This model is an amp simulator based on the sound characteristics of the legendary Soldano® SLO100 amp head (NORMAL channel, clean sound), which set a benchmark for modern amps. The reason you find the sound so familiar is because you've been hearing it on gold records since 1987.
Soloist 100 Clean HQ: This model is an amplifier simulator that uses our latest generation modeling technology to re-model the sound characteristics of the legendary Soldano® SLO100 amp head (NORMAL channel, clean sound) to achieve a more dynamic, detailed, high-quality sound.
Other channels: Soloist 100 Crunch (Drive) · Soloist 100 Crunch HQ (Drive) · Soloist 100 Lead (Hi Gain) · Soloist 100 Lead HQ (Hi Gain)
This model is an amp simulator based on the sound characteristics of the legendary Fender® Bassman® amp (5F6-A version, Bright channel), the American legend with a twangy top and fat bottom end. Originally designed for bass, it soon became popular among guitar players.
Other channels: Baseman Norm (Clean)
The Brown King Drive is an amp simulator based on the Fender® Brownface Vibro-King® amp (FAT switch on), one of Gary Clark Jr.'s favorite. It gives you a beautiful shimmering clean when turned down, and a serious touch-sensitive dirt when cranked up.
Other channels: Brown King Clean (Clean)
SUPERB retro tone. The Superb Dual Drive is an amp simulator based on the famous Supro® Dual-Tone 1624T combo (CH 1+2, means the two preamp channels are linked in parallel). It produces the sweet 60s "stairway" scene replica, from bell-like cleans to gritty blues.
Other channels: Superb Dual Clean (Clean)
This model is an amp simulator based on the sound characteristics of the VOX® AC30HW combo (Top Boost channel). As the UK music scene grew out of small pubs to later cross the Pond, almost everyone was using the combo amp covered with a diamond grill cloth, the legendary VOX® AC-30. This became the British Invasion sound.
Other channels: Voxy 30HW Norm (Clean)
This model is an amp simulator based on the sound characteristics of the legendary Marshall® 1958 combo nicknamed "18 Watter" or "Mini Bluesbreaker®" amp, a serious blues engine with incredible smooth, fat sound and great dynamics. A must-have in your armory!
Marshell 45: This Marshell 45 is an amp simulator based on the sound characteristics of the legendary Marshall® JTM 45 amp head (NORMAL channel). Born in 1962, it soon became popular among countless stars and quickly defined the '60s rock & blues sound.
Marshell 45+: This Marshell 45+ is an amp simulator based on the sound characteristics of the legendary Marshall® JTM 45 amp head (HIGH TREBLE channel). Born in 1962, it soon became popular among countless stars and quickly defined the '60s rock & blues sound.
Marshell 45 Jump: This Marshell 45 Jump is an amp simulator based on the sound characteristics of the legendary Marshall® JTM 45 amp head with "Jump" connection. Born in 1962, it soon became popular among countless stars and quickly defined the '60s rock & blues sound.
Marshell 50: This is an amp simulator based on the sound characteristics of the legendary Marshall® JMP 50 amp head (NORMAL channel). No explanation necessary — The tone is as legendary as the music it helped to create.
Marshell 50+: This is an amp simulator based on the sound characteristics of the legendary Marshall® JMP 50 amp head (HIGH TREBLE channel). No explanation necessary — The tone is as legendary as the music it helped to create.
Marshell 50 Jump: This is an amp simulator based on the sound characteristics of the legendary Marshall® JMP 50 amp head with "Jump" connection. No explanation necessary — The tone is as legendary as the music it helped to create.
Marshell SLP: Marshell SLP is an amp simulator based on the sound characteristics of the legendary Marshall® Super Lead 1959 amp head (Normal channel). No explanation necessary — The tone is as legendary as the music it helped to create. Since it has an extreme output (demanded by Pete Townshend!), we added a Output knob so you can take control.
Marshell SLP+: Marshell SLP+ is an amp simulator based on the sound characteristics of the legendary Marshall® Super Lead 1959 amp head (Bright channel). No explanation necessary — The tone is as legendary as the music it helped to create. Since it has an extreme output (demanded by Pete Townshend!), we added a Output knob so you can take control.
Marshell SLP Jump: Marshell SLP Jump is an amp simulator based on the sound characteristics of the legendary Marshall® Super Lead 1959 amp head with "Jump" connection. No explanation necessary — The tone is as legendary as the music it helped to create. Since it has an extreme output (demanded by Pete Townshend!), we added a Output knob so you can take control.
This model is an amp simulator based on the sound characteristics of the legendary Marshall® JCM800 amp head. Just think about the golden 1980's – a decade of heavy metal and THAT iconic, aggressive, crunchy BRITISH LEAD sound. Now the legend is back!
The Pendragon Drive is based on the Boost channel of the famous Grindrod® Pendragon PG20C combo, a masterpiece designed by tube amp guru Steve Grindrod, ex-chief designer of VOX® & Marshall®. Delivering you an authentic British tone that is warm and expressive, with some simple dialing you'll get in touch with the legendary UK rock'n'roll scenes. Turn up, stand back and you're ready to rock!
Other channels: Pendragon Clean (Clean) · Pendragon Clean+ (Clean)
Meet the Emperor of Tone! Based on the Matchless™ Chieftain 212 combo (driven sound), the Emperor features the rich harmonics and matchless sensitivity that made this amp a Class A legend.
Other channels: Emperor Clean (Clean)
Based on the 2nd channel of the famous Bad Cat® Hot Cat 30 amp, the Hot Kitty Drive is a total Class A drive machine. The unique tone finds itself somewhere between British and USA territories with complex mids, tight lows and rich upper harmonics.
Other channels: Hot Kitty Clean (Clean)
This model is based on one of Dr. Z®'s most enduring designs: the famous Dr. Z® Maz 38 Sr. combo (drive sound). This amp has the kind of clean headroom that makes it a great pedal platform, yet as a standalone it is incredibly versatile, granting access to both American twang and UK Class A chime.
Other channels: Dr. 38 Clean (Clean)
Here comes the THE LEGEND! The Dumbell ODS 2 is based on the legendary Dumble® Overdrive Special amp head (Overdrive section on), providing THAT tone created by lots of legendary jazz/ blues/fusion musicians.
Other channels: Dumbell ODS 1 (Clean)
The Tang A30 Drive is based on the famous Orange® AD30 amp head (CH 2), a 30-watt, vintage modern Class A model with Orange®'s famous "juicy" sound. Adjust the GAIN knob to get the magic: glassy boutique chime with the gain low, and roaring British chomp with the gain up.
Other channels: Tang A30 Clean (Clean)
The Superstar Drive is based on the drive channel of the famous Mesa/Boogie® Lone Star® combo, bringing you that well-balanced, smooth American-style drive with a rich combination of both vintage and modern tones.
Other channels: Superstar Clean (Clean)
The California Dream. This model is based on the legendary Mesa/Boogie® Mark II C+™ amp head (LEAD channel). Now you have one of the hottest amp tones: Tight, focused rhythm riffs and the legendary "liquid lead" tone. This amp gets the aeons of sustain Metallica and Dream Theater bet their lives on.
This model recreates the sound characteristics of the famous Mesa/ Boogie® JP-2C™ amp (CH2), John Petrucci's signature amp head, delivering a tight, agressive crunch tone.
Other channels: Petrus Clean HQ (Clean) · Petrus Lead HQ (Hi Gain)
Glacian Drive is based on the drive channel of the famous Bogner® Shiva combo (20th anniversary version). Our replica reproduces the glassy hi-fi driven sound powered by a pair of KT88 power tubes. This is a super wide-open sound with immerse headroom, sensitive moods, and great low end response.
Other channels: Glacian Clean (Clean)
Boger XT Blue V: This model is based on the 2nd channel (the blue channel) of the famous Bogner ® Ecstasy head (vintage sound character), which has been a favorite for every style and genre of music since 1992.
Boger XT Blue M: This model is based on the 2nd channel (the blue channel) of the famous Bogner ® Ecstasy head (modern sound character), which has been a favorite for every style and genre of music since 1992.
Other channels: Boger XT Red V (Hi Gain) · Boger XT Red M (Hi Gain)
Soloist 100 Crunch: This model is an amp simulator based on the sound characteristics of the legendary Soldano® SLO100 amp head (NORMAL channel, dirty sound), which set a benchmark for modern amps. The reason you find the sound so familiar is because you've been hearing it on gold records since 1987.
Soloist 100 Crunch HQ: This model is an amplifier simulator that uses our latest generation modeling technology to re-model the sound characteristics of the legendary Soldano® SLO100 amp head (NORMAL channel, dirty sound) to achieve a more dynamic, detailed, high-quality sound.
Other channels: Soloist 100 Clean (Clean) · Soloist 100 Clean HQ (Clean) · Soloist 100 Lead (Hi Gain) · Soloist 100 Lead HQ (Hi Gain)
Fryman B is based on a famous UK-style boutique amp head (BE channel). This is an incredible tone machine based on the classic hot British amps. But this amp is extremely versatile: with some knob tweaking, you'll be amazed by the super tight low ends, sweet mids and rich harmonics.
Other channels: Fryman HB (Hi Gain)
This model is an amp simulator based on the sound characteristics of the legendary Marshall® JCM900 (model 4100, CH B) amp head. Released in 1990, it was designed to produce more gain, less noise and stainless Marshall® tone.
The Tang R100 is based on the famous Orange® Rockerverb 100™ amp head, Orange®'s first high gain amplifier. Its unique thick voice has become eternally linked with hard rock/stoner rock.
The classic Boogie Lead sound...and beyond. This model is based on the legendary Mesa/Boogie® Mark IV™ amp head (LEAD channel). This massive lead tone is one of the most beautifully voiced tones that can always be heard in a mix.
This model recreates the sound characteristics of the famous Mesa/ Boogie® JP-2C™ amp (CH3), John Petrucci's signature amp head, delivering a huge lead tone with clarity that suits for every shredder.
Other channels: Petrus Clean HQ (Clean) · Petrus Crunch HQ (Drive)
Rector Dual V: The Rector Dual V is based on an enduring rock' n' roll icon: the legendary Mesa/Boogie® Dual Rectifier® amp head (CH3, vintage). Music industry genres and scenes have come and gone since its first release in early 1990's, but this amp's monolithic heavy sound continues to be the standard for modern heavy rock.
Rector Dual M: The Rector Dual M is based on an enduring rock' n' roll icon: the legendary Mesa/Boogie® Dual Rectifier® amp head (CH3, modern). Music industry genres and scenes have come and gone since its first release in early 1990's, but this amp's monolithic heavy sound continues to be the standard for modern heavy rock.
Boger XT Red V: This model is based on the 3rd channel (the red channel) of the famous Bogner ® Ecstasy head (vintage sound character), which has been a favorite for every style and genre of music since 1992.
Boger XT Red M: This model is based on the 3rd channel (the red channel) of the famous Bogner ® Ecstasy head (modern sound character), which has been a favorite for every style and genre of music since 1992.
Other channels: Boger XT Blue V (Drive) · Boger XT Blue M (Drive)
Soloist 100 Lead: This model is an amp simulator based on the sound characteristics of the legendary Soldano® SLO100 amp head (OVERDRIVE channel), which set a benchmark for modern amps. The reason you find the sound so familiar is because you've been hearing it on gold records since 1987.
Soloist 100 Lead HQ: This model is an amplifier simulator that uses our latest generation modeling technology to re-model the sound characteristics of the legendary Soldano® SLO100 amp head (OVERDRIVE channel) to achieve a more dynamic, detailed, high-quality sound.
Other channels: Soloist 100 Clean (Clean) · Soloist 100 Clean HQ (Clean) · Soloist 100 Crunch (Drive) · Soloist 100 Crunch HQ (Drive)
Fryman HB is based on a famous UK-style boutique amp head (HBE channel). This is an incredible tone machine based on the classic hot British amps. But this amp is extremely versatile: with some knob tweaking, you'll be amazed by the super tight low ends, sweet mids and rich harmonics.
Other channels: Fryman B (Drive)
The Eddie 51 is based on a heavy rock legend: the Peavey® 5150® (LEAD channel). The original is famous for its raw tone and relentless power. Our Eddie 51 gives you the "brown metal" sound heard on legendary heavy metal records.
Engle Saga 1: The Engle Saga 1 is based on the famous ENGL® Savage 120 E610 amp head (Channel 4, contour off). This replica reproduces the iconic modern German rock sound featuring fast response, enhanced headroom and punchy dynamics.
Engle Saga 2: The Engle Saga 2 is based on the famous ENGL® Savage 120 E610 amp head (Channel 4, contour on). This replica reproduces the iconic modern German rock sound featuring fast response, enhanced headroom and punchy dynamics.
The Powerengle Lead is based on the lead channel (Channel 4) of the famous ENGL® Powerball II E645/2 amp head. Truly ideal for modern rock and metal, it features a tight low end, a huge amount of gain, sharp clarity, and great dynamics.
Dizzle VH B: The Dizzle VH B is based on the 3rd channel of the famous Diezel® VH4 amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel amps, quickly making it a stage and studio standard. B stands for "blue panel" version.
Dizzle VH S: The Dizzle VH S is based on the 3rd channel of the famous Diezel® VH4 amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel amps, quickly making it a stage and studio standard. S stands for "silver panel" version.
Dizzle VH+ B: The Dizzle VH+ B is based on the 4th channel of the famous Diezel® VH4 amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel amps, quickly making it a stage and studio standard. B stands for "blue panel" version.
Dizzle VH+ S: The Dizzle VH+ S is based on the 4th channel of the famous Diezel® VH4 amp head. Born in 1994, the VH4 set an incredibly high benchmark for boutique multi-channel amps, quickly making it a stage and studio standard. S stands for "silver panel" version.
The original rock bass sound. The Ampage Classic is based on the legendary Ampeg® SVT bass amp head. Born in 1969, the rich sounding all-tube monster basically defined the bass sound of rock and roll from then on. We modified the Frequency switch with a modern Ampeg® design for more tonal flexibility.
The legendary Flip Top is here! Our Ampage Flip is based on the legendary Ampeg® B-15 bass amp head. Originally designed by Jess Oliver, the easy-to-use amp produces incredible round, full-figured tone for which many have deemed it the holy grail of bass amps. Now it's finally within reach!
The British Invasion bass sound is now available. Voxy Bass is an amp simulator based on the sound characteristics of the legendary VOX® AC-100 amp head, the amp that McCartney was using in 1965. The operation is simple: just treble, bass, and volume controls. Using a violin bass with this amp will totally get you THAT vibe.
The Tang Bass is based on the famous Orange® AD200B bass amp head, a straight forward amp with huge power. The four 6550 power tubes ensures a ground shaking tone with lots of dynamics.
This model is based on the famous Mesa/Boogie® Bass 400 bass amp head, one of Mesa/Boogie®'s rare bass products. As one of the most classic most classic and sought-after tube bass amps in history, the amp will never let you down.
This model is a tube power amp simulator with various tonal controls.
Alchemy Pre is based on the legendary Alembic™ F-2B rack-mount bass preamp. It recreates the rich, magical tube sound that made the F-2B a classic. This treatment is not just for bass– it's awesome on guitars (think Gilmour) and more!
This model is an acoustic preamp based on the famous AER® Colourizer 2, which makes dull sounds come alive by enriching your acoustic sound with full dynamics and harmonics.
AC Mix CH1: This model is a dual-channel acoustic preamp based on channel 1 of the AER® Dual Mix 2, which makes dull sounds come alive by enriching your acoustic sound with full dynamics and harmonics.
AC Mix CH2: This model is a dual-channel acoustic preamp based on channel 2 of the AER® Dual Mix 2, which makes dull sounds come alive by enriching your acoustic sound with full dynamics and harmonics.
This model is a dual-channel acoustic preamp, ideal for crossover processing of live tones in modern fingerstyle playing. The MG channel is purpose-built for soundhole magnetic pickups, delivering a warm and bright tone.
This model is a dual-channel acoustic preamp, ideal for crossover processing of live tones in modern fingerstyle playing. The PZ channel is purpose-built for adhesive piezo pickups, featuring enhanced low-end response.
Voxy 1x10 A: This model is a cabinet simulator based on the sound characteristics of a VOX® 1x10" combo cabinet.
Voxy 1x10 B: This model is a cabinet simulator based on the sound characteristics of a vintage VOX® 1x10" combo cabinet.
Voxy GRN 1x10: This model is a cabinet simulator based on the sound characteristics of a VOX® 1x10" combo cabinet with a 10-inch Celestion® Greenback speaker.
This model is a cabinet simulator based on the sound characteristics of a custom VOX® AC4 combo cabinet.
Voxy 2x12 A: This model is a cabinet simulator based on the sound characteristics of a VOX® AC30 combo cabinet with two 12-inch Celestion® Alnico Blue speakers.
Voxy 2x12 B: This model is a cabinet simulator based on the sound characteristics of a VOX® AC30 combo cabinet with two 12-inch Celestion® G12H-30 speakers.
Voxy Cream 2x12: This model is a cabinet simulator based on the sound characteristics of a VOX® AC30 combo cabinet with two 12-inch Celestion® Alnico Cream speakers.
Voxy Green 2x12: This model is a cabinet simulator based on the sound characteristics of a VOX® AC30 combo cabinet with two 12-inch Celestion® Greenback speakers.
Voxy Gold 2x12: This model is a cabinet simulator based on the sound characteristics of a VOX® AC30 combo cabinet with two 12-inch Celestion® Alnico Gold speakers.
TWD 1x10: This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Tweed 1x10" combo cabinet.
TWD VN 1x10: This model is a cabinet simulator based on the sound characteristics of a custom Fender® Tweed 1x10" combo cabinet with a 10-inch Celestion® G10 Vintage speaker.
This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Tweed 1x12" combo cabinet.
This model is a cabinet simulator based on the sound characteristics of a Fender® Tweed Deluxe 1x12" combo cabinet with a 12-inch Jensen® P12R speaker.
This model is a cabinet simulator based on the sound characteristics of a Fender® 1x12" combo cabinet with a 12-inch Celestion® Vintage 30® speaker.
Black Dlx 1x12 A: This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Deluxe Reverb 1x12" combo cabinet.
Black Dlx 1x12 B: This model is a cabinet simulator based on the sound characteristics of a Fender® Deluxe Reverb 1x12" combo cabinet with a Jensen® C12R speaker.
Black Dlx 1x12 C: This model is a cabinet simulator based on the sound characteristics of a Fender® Deluxe Reverb 1x12" combo cabinet with a custom speaker.
Golden 1x10: This model is a cabinet simulator based on the sound characteristics of a vintage Gibson® 1x10" combo cabinet.
Golden 1x12: This model is a cabinet simulator based on the sound characteristics of a vintage Gibson® 1x12" combo cabinet.
This model is a cabinet simulator based on the sound characteristics of a custom Marshall® 1x12" cabinet.
Boger 2x12 A: This model is a cabinet simulator based on the sound characteristics of a Bogner® 2x12" cabinet with two 12-inch Celestion® Greenback speakers.
Boger 2x12 B: This model is a cabinet simulator based on the sound characteristics of a Bogner® 2x12" cabinet with two 12-inch Celestion® Vintage 30® speakers.
Glacian 2x12 A: This model is a cabinet simulator based on the sound characteristics of a Bogner® Shiva 2x12" cabinet.
Glacian 2x12 B: This model is a cabinet simulator based on the sound characteristics of a Bogner® Shiva 2x12" cabinet with Celestion® Alnico Gold speakers.
Tang 2x12 A: This model is a cabinet simulator based on the sound characteristics of a custom Orange® PPC212 2x12" cabinet.
Tang 2x12 B: This model is a cabinet simulator based on the sound characteristics of an Orange® PPC212 2x12" cabinet.
This model is a cabinet simulator based on the sound characteristics of a custom Mesa/Boogie® 2x12" cabinet.
Rector 2x12 A: This model is a cabinet simulator based on the sound characteristics of a Mesa/ Boogie® Rectifier® 2x12" cabinet with two 12-inch Celestion® Vintage 30® speakers.
Rector 2x12 B: This model is a cabinet simulator based on the sound characteristics of a Mesa/ Boogie® Rectifier® 2x12" cabinet with two 12-inch Celestion® G12H-30® speakers.
Rector 2x12 C: This model is a cabinet simulator based on the sound characteristics of a modified Mesa/Boogie® Rectifier® 2x12" cabinet with two 12-inch Celestion® G12M® speakers.
Super 4x10 A: This model is a cabinet simulator based on the sound characteristics of a Fender® Super Reverb 4x10" cabinet with four 10-inch Jensen® speakers.
Super 4x10 B: This model is a cabinet simulator based on the sound characteristics of a vintage Fender® Super Reverb 4x10" cabinet with Fender® speakers.
UK Cream 4x12: This model is a cabinet simulator based on the sound characteristics of a Marshall® 4x12" cabinet with four 12-inch Celestion® G12H-30 speakers.
UK Green 4x12: This model is a cabinet simulator based on the sound characteristics of a vintage Marshall® 4x12" cabinet with four 12-inch Celestion® Greenback speakers.
UK Custom 4x12: This model is a cabinet simulator based on the sound characteristics of a custom vintage Marshall® 4x12" cabinet with four 12-inch Electro-Voice® EVM12L speakers.
UK Vintage 4x12: This model is a cabinet simulator based on the sound characteristics of a vintage Marshall® 4x12" cabinet with four 12-inch Marshall® speakers.
UK Black 4x12: This model is a cabinet simulator based on the sound characteristics of a vintage Marshall® 4x12" cabinet with four 12-inch Celestion® Blackback speakers.
This model is a cabinet simulator based on the sound characteristics of a vintage Marshall® "Checkboard" 4x12" cabinet.
This model is a cabinet simulator based on the sound characteristics of a Marshall® 1982B 4x12" cabinet.
Boger 4x10 A: This model is a cabinet simulator based on the sound characteristics of a Bogner® 4x10" cabinet.
Boger 4x10 B: This model is a cabinet simulator based on the sound characteristics of a modified Bogner® 4x10" cabinet.
Boger 4x12 A: This model is a cabinet simulator based on the sound characteristics of a Bogner® 4x12" cabinet with four 12-inch Celestion® G12T-75 speakers.
Boger 4x12 B: This model is a cabinet simulator based on the sound characteristics of a Bogner® 4x12" cabinet with four 12-inch Celestion® Vintage 30® speakers.
Tang 4x12 A: This model is a cabinet simulator based on the sound characteristics of an Orange® PPC412 4x12" cabinet.
Tang 4x12 B: This model is a cabinet simulator based on the sound characteristics of a vintage Orange® 4x12" cabinet.
Tang 4x12 C: This model is a cabinet simulator based on the sound characteristics of a custom vintage Orange® 4x12" cabinet.
Messe 4x12 A: This model is a cabinet simulator based on the sound characteristics of a Mesa/ Boogie® 4x12" cabinet with "Vintage Black Shadow" speakers.
Messe 4x12 B: This model is a cabinet simulator based on the sound characteristics of a Mesa/ Boogie® 4x12" cabinet with four 12-inch Celestion® Vintage 30® speakers.
Rector 4x12 A: This model is a cabinet simulator based on the sound characteristics of a custom Mesa/Boogie® Rectifier 4x12" cabinet with four 12-inch Eminence® speakers.
Rector 4x12 B: This model is a cabinet simulator based on the sound characteristics of a Mesa/ Boogie® Rectifier "Traditional" 4x12" cabinet.
Rector 4x12 C: This model is a cabinet simulator based on the sound characteristics of a Mesa/ Boogie® Rectifier "Oversized" 4x12" cabinet.
Rector 4x12 D: This model is a cabinet simulator based on the sound characteristics of a custom Mesa/Boogie® Rectifier 4x12" cabinet with four 12-inch Celestion® G12M-65® speakers.
Dizzle 4x12 A: This model is a cabinet simulator based on the sound characteristics of a Diezel® 4x12" cabinet with four 12-inch Celestion® G12K-100 speakers.
Dizzle 4x12 B: This model is a cabinet simulator based on the sound characteristics of a Diezel® 4x12" cabinet with four 12-inch Celestion® Vintage 30® speakers.
Eddie 4x12 A: This model is a cabinet simulator based on the sound characteristics of a EVH® 5150III® 4x12" cabinet.
Eddie 4x12 B: This model is a cabinet simulator based on the sound characteristics of a modified EVH® 5150III® 4x12" cabinet.
Engle 4x12 A: This model is a cabinet simulator based on the sound characteristics of a ENGL® 4x12" cabinet with four 12-inch Celestion® Vintage 30® speakers.
Engle 4x12 B: This model is a cabinet simulator based on the sound characteristics of a ENGL® 4x12" cabinet with four 12-inch Celestion® Greenback speakers.
Fryman 4x12 A: This model is a cabinet simulator based on the sound characteristics of a boutique UK-style brand 4x12" cabinet with four 12-inch Celestion® Greenback speakers.
Fryman 4x12 B: This model is a cabinet simulator based on the sound characteristics of a boutique UK-style brand 4x12" cabinet with four 12-inch Celestion® Vintage 30® speakers.
Ampage 2x10 A: This model is a cabinet simulator based on the sound characteristics of a vintage Ampeg® 2x10" cabinet.
Ampage 2x10 B: This model is a cabinet simulator based on the sound characteristics of an Ampeg® SVT-210AV 2x10" cabinet.
Ampage 2x10 C: This model is a cabinet simulator based on the sound characteristics of a modified vintage Ampeg® 2x10" cabinet.
Ampage 2x10 D: This model is a cabinet simulator based on the sound characteristics of a Ampeg® SVT-210AV 2x10" cabinet with Ampeg® speakers.
Ampage 4x10 A: This model is a cabinet simulator based on the sound characteristics of a vintage Ampeg® 4x10" cabinet.
Ampage 4x10 B: This model is a cabinet simulator based on the sound characteristics of an Ampeg® SVT-410HLF 4x10" cabinet.
Ampage 4x10 C: This model is a cabinet simulator based on the sound characteristics of a modified Ampeg® SVT-410HLF 4x10" cabinet.
Ampage 4x10 D: This model is a cabinet simulator based on the sound characteristics of a modified vintage Ampeg® 4x10" cabinet.
Blue 1x12 Close: This IR is based on the sound characteristics of a 1x12 close back cabinet with one 12-inch Celestion® Alnico Blue speaker, captured by a set of carefully balanced studio microphones.
Blue 1x12 Open: This IR is based on the sound characteristics of a 1x12 open back cabinet with one 12-inch Celestion® Alnico Blue speaker, captured by a set of carefully balanced studio microphones.
Blue 2x12 Close: This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion® Alnico Blue speakers, captured by a set of carefully balanced studio microphones.
Blue 2x12 Open: This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch Celestion® Alnico Blue speakers, captured by a set of carefully balanced studio microphones.
G12H-A 2x12 Close: This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion® G12H Anniversary speakers, captured by a set of carefully balanced studio microphones.
G12H-A 2x12 Open: This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch Celestion® G12H Anniversary speakers, captured by a set of carefully balanced studio microphones.
G12H-A 4x12: This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion® G12H Anniversary speakers, captured by a set of carefully balanced studio microphones.
G12H-C 1x12 Close: This IR is based on the sound characteristics of a 1x12 close back cabinet with one 12-inch Celestion® G12H Creamback speaker, captured by a set of carefully balanced studio microphones.
G12H-C 1x12 Open: This IR is based on the sound characteristics of a 1x12 open back cabinet with one 12-inch Celestion® G12H Creamback speaker, captured by a set of carefully balanced studio microphones.
G12H-C 2x12 Close: This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion® G12H Creamback speakers, captured by a set of carefully balanced studio microphones.
G12H-C 2x12 Open: This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch Celestion® G12H Creamback speakers, captured by a set of carefully balanced studio microphones.
G12H-C 4x12: This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion® G12H Creamback speakers, captured by a set of carefully balanced studio microphones.
G12M-C 2x12 Close: This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion® G12M Creamback speakers, captured by a set of carefully balanced studio microphones.
G12M-C 2x12 Open: This IR is based on the sound characteristics of a 2x12 open back cabinet with two 12-inch Celestion® G12M Creamback speakers, captured by a set of carefully balanced studio microphones.
G12M-C 4x12: This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion® G12M Creamback speakers, captured by a set of carefully balanced studio microphones.
Green 2x12: This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion® G12M Greenback speakers, captured by a set of carefully balanced studio microphones.
Green 4x12: This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion® G12M Greenback speakers, captured by a set of carefully balanced studio microphones.
V30 2x12: This IR is based on the sound characteristics of a 2x12 close back cabinet with two 12-inch Celestion® Vintage 30® speakers, captured by a set of carefully balanced studio microphones.
V30 4x12: This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion® Vintage 30® speakers, captured by a set of carefully balanced studio microphones.
This IR is based on the sound characteristics of a 4x12 close back cabinet with four 12-inch Celestion® G12-65 speakers, captured by a set of carefully balanced studio microphones.
This model is an acoustic simulator based on the sound characteristics of a Dreadnought steel-string acoustic guitar.
This model is an acoustic simulator based on the sound characteristics of a OM type steel-string acoustic guitar.
This model is an acoustic simulator based on the sound characteristics of a jumbo style steel-string acoustic guitar.
This model is an acoustic simulator based on the sound characteristics of an iconic "H-Bird" steel-string acoustic guitar.
This model is an acoustic simulator based on the sound characteristics of a GA type steel-string acoustic guitar.
This model is an acoustic simulator based on the sound characteristics of a classical guitar.
This model is an acoustic simulator based on the sound characteristics of a mandolin.
This model is an acoustic simulator based on the sound characteristics of a fretless acousitc bass guitar.
This model is an acoustic simulator based on the sound characteristics of a double bass.
Our V-EQ is an equalizer based on the legendary Mesa/Boogie® 5-band graphic EQ module found on Mesa/ Boogie® Mark™ Series amps. Put this classic EQ right before your amp or distortion and hear the magic.
This is a 7-band equalizer based on a widely used white guitar EQ pedal with max. ±15dB boost/cut range. You can use this EQ to control your sound, eliminate unwanted feedback, and expand your tone.
This is a 7-band bass equalizer based on a widely used white bass EQ pedal with max. ±15dB boost/cut range. You can use this EQ to control your sound, eliminate unwanted feedback, and expand your tone.
This is an equalizer made for guitar. You can use this 5-band EQ to control your sound, eliminate unwanted feedback, and expand your tone.
This is an equalizer made for guitar. You can use this 5-band EQ to control your sound, eliminate unwanted feedback, and expand your tone.
This is an equalizer made for bass. You can use this 5-band EQ to control your sound, eliminate unwanted feedback, and expand your tone.
This is an equalizer made for bass. You can use this 5-band EQ to control your sound, eliminate unwanted feedback, and expand your tone.
This is a 4-band parametric equalizer with low/high shelving filters that suitable for any instrument.
This is a 5-band parametric equalizer with selectable filter types that suitable for any instrument. Band 3 filter shape is fixed to Peak.
This is a 10-band equalizer suitable for any instrument.
Based on the legendary Arion® SCH-1 Stereo Chorus pedal, this Aozora chorus brings you a beautiful 80s vibe, everything from classic chorus to killer rotary effects. Clapton and Landau loved this sound.
Based on the chorus mode of legendary 1970s ensemble chorus pedal, the Grand Choruium provides that timeless dreamy, warm, shimmering vintage analog chorus sound that musicians dream of.
Also in: Grand Vibrato (Vibrato)
Based on the legendary 4-button stereo chorus pedal, this Liquid C is more of a "dimension expander" than a chorus effect. Offering 4 finely tuned modes, this model adds unique spatial elements and subtle modulations to which nothing can compare.
This vintage-voiced chorus model is based on the famous ensemble chorus unit that tuned for bass players. Like its cousin, the Choruium B gives you a pure, lush tone. Individual effect level control offers more flexibility for bass.
This model is based on the legendary Voodoo Lab® Analog Chorus pedal. Offering you warm, organic sound and lush harmonics, it has become the standard by which all chorus pedals are measured. Fine tune the two parameters to get your own sound, from subtle doubling to sweet rotation!
This is a multi-dimensional chorus model with independent depth controls for each audio channel (center, left and right). This super lush model will give you the real 3D experience for your ears (especially on stereo sound systems!).
This model produces the classic flanging effect originally achieved by manually, independently varying the speed of two tape recorders with the same program material. It produces a rich, natural flanging tone.
This model achieves the classic flanging effect for bass players. It produces a rich, natural flanging tone.
This model produces a flanger effect with negative feedback, sounds like deep in the water, very unique flanging tone.
This model blended a classic flanging tone with a normal tremolo effect, you can adjust the flanger and tremolo parameters separately to get a distinctive sound.
Based on the vibrato mode of legendary 1970s ensemble chorus pedal, the Grand Vibrato provides that timeless dreamy, warm, shimmering vintage analog vibrato sound that musicians dream of.
Also in: Grand Choruium (Chorus)
The Pulser is a rebirth of the super rare all-analog vintage vibrato pedal, which gives you a classic vibrato sound with true analog warmth. With simple DEPTH and RATE controls, it's easy to tweak your own unique texture, from slight vibes to a full-on wobble.
This model is a typical vibrato effect with a wide controllable range. Use the Depth knob to vary the pitch, use the Rate knob to control the modulation speed.
This is a special vibrato effect with dynamic depth control, which lets you create touch-sensitive pitch modulation. Use the Rate knob to control the modulation speed; use the Sens knob to fine tune the sensitivity.
The 90 Phaser recreates the warm, rich analog phase sound of the legendary MXR® M101 Phase 90 pedal. Born in 1974, the one-knob orange phaser is an icon that has found a place on millions of pedal boards for over four decades.
This Green Phaser produces a sharp phase effect with a wide range from very slow to fast speed. This unique phasing sound has become popular among lots of musicians since 1977.
The Stone Phaser is based on the legendary and extremely rare 1970s Electro-Harmonix® Small Stone phase shifter pedal. This original is one of the best analog phaser sounds in the history of music and can be heard on countless rock recordings.
This model delivers a lush rotating effect that simulates 1960s rotary speakers. Based on the Voodoo Lab® Micro Vibe, it gives you the pure, "psychedelic" vibe-y taste that guitar heroes like Hendrix and Gilmour loved.
The Revolver is based on the legendary vintage Shin-ei® Uni-Vibe® pedal. The Uni-Vibe® was designed to simulate the sound of a rotary speaker, but the "failed" attempt has been embraced as one of the most iconic effects in rock 'n' roll history. Kick it on and feel the legendary psycho sound of the Revolver!
This model might be the craziest phaser ever – A phaser with 3 notch parameters! The 3 subtle Notch knobs will bring you lots of phasing combos from vintage, warm sounding to modern, sharp sounding. Create your own inspiration!
This is a special phaser that combines tremolo/pan variations. Featuring subtle, bright phasing tone and smooth panning tone, you get some seriously trippy psychedelic mojo here.
This model is based on the legendary Demeter® TRM-1 Tremulator® tremolo pedal. Featuring deep, pulsing optical tremolo sound, it recreates the classic tremolo effect found on many vintage amps but with a greater range of speed and depth.
This model is a rotary speaker simulator with detailed control, bringing you the legendary tone adapted by lots of rock legends.
With 4 different waveforms to choose from, Custom Trem will be the all-star of all your tremolo pedals. The Color and Shape knobs ensure super wide tonal range and flavor.
This model is a stereo expander based on Precedence Effect which delays the right output a bit to create an expanded stereo sound.
This model is a stereo expander based on modern methods which creates an expanded stereo sound without phasing problems. Please note we don't recommend to apply this with one side of a stereo output of an effect module.
This is a virtual soundstage creator for expanding stereo dimensions. We recommend using this effect after an effect with stereo outputs (e.g. stereo delays and reverbs).
This model is auto swell effect that creating a violin-like tone. Two parameters make it simple.
This is a sound freeze/infinite sustain effect, capable of holding the sound activated at the moment of activation. You can use the footswitch's effects slot function to activate the freeze effect, and enabling the Momentary parameter turns the footswitch function into momentary type (the effect is activated when the footswitch is pressed down and deactivated when released).
This is a amplifier feedback/howling simulation effect that generates controllable and natural feedback sustain based on your settings. You can use the footswitch's effects slot function to activate the feedback effect, and enabling the Momentary parameter turns the footswitch function into momentary type (the effect is activated when the footswitch is pressed down and deactivated when released).
Hotone's effect list doesn't sub-divide delays — these groups are ours.
This model produces THAT legendary warm, natural analog BBD delay peal sound (the pedal with a wine red chassis and REPEAT RATE control) which is highly praised by musicians. Now the legend is back!
Like syrup on waffles. This model is based on the legendary Electro-Harmonix® Deluxe Memory Man® Solid State Echo/Analog Delay Line pedal (early 4-knob "Blue Face" version with SAD1024 IC), the godfather of analog delay. Dig in and see how one pedal can fill in everything that's still missing in your hit song.
The Ekopress 80 is based on the legendary Maxon® AD80 Analog Delay pedal (early MN3005 version). True to its bloodline, it is indubitably the expressway to analog heaven. Ekopress 80 features a smooth, organic analog delay tone with great dynamic response and slightly lo-fi'd repeats.
Get on the expressway to pure analog heaven! The Ekopress 900 is based on the legendary Maxon® AD900 Analog Delay pedal. The tone is pure, rich, and clear, and it faithfully reacts to your playing style.
Cruise the expressway to pure analog heaven! The Ekopress 999 is based on the legendary Maxon® AD999 Analog Delay pedal which provides a warm, rich, organic analog delay tone with some dynamic distortion on the repeats. Crank the Feedback knob to get into sweet self-oscillation, which sounds different than its brother, Ekopress 900.
This is a mono analog delay model that captures the sound of a vintage analog delay machine: warm and natural, just like old times!
This is a stereo analog delay model that captures the sound of a vintage analog delay machine: warm and natural, just like old times!
This is a mono analog delay model that captures the sound of a BBD based analog delay machine that is warm, smooth, rounded due to the limitation of BBD chips.
This is a stereo analog delay model that captures the sound of a BBD based analog delay machine that is warm, smooth, rounded due to the limitation of BBD chips.
2290 Mod: This model is based on the delay sound of the legendary TC Electronic® 2290 Dynamic Digital Delay + Effects Controls Processor rack mount effect unit, which is widely used among countless musicians and studio producers.
2290 Ducker: A ducking delay reduces delay effect level when you pluck the string hard. This model is a ducking delay based on the delay sound of the legendary TC Electronic® 2290 Dynamic Digital Delay + Effects Controls Processor rack mount effect unit, which is widely used among countless musicians and studio producers.
This model is a mono digital delay that produces a pure clean delay sound, clear and accurate.
This model is a stereo digital delay that produces a pure clean delay sound, clear and accurate.
The Digital Delay HQ is based on the delay sound of a popular 11-mode digital reverb/delay pedal. The latest generation of modeling technology provides this model with a more realistic and high-quality sound.
This model is a stereo dual delay effect with separated left/right channel signal processing and individual parameter control on both sound channels.
This model is a ping-pong delay producing stereo feedback that bounces back and forth between the left and right channels.
This delay model captures the sound of a vintage 1980's rack-mount delay machine with slightly sample-reduced feedback. Rack delay was the thing back then. Every rad rocker had one.
Back in the old days, producers and engineers created delay and echo effects using tape machines. That sweet, space-like echo tone is still popular today, especially among psychedelic musicians. This is a mono delay model that captures the characteristics of the sound of a tape echo machine. Just plug in and play, and time flows back!
Back in the old days, producers and engineers created delay and echo effects using tape machines. That sweet, space-like echo tone is still popular today, especially among psychedelic musicians. This is a stereo delay model that captures the characteristics of the sound of a tape echo machine. Just plug in and play, and time flows back!
This is a multitap delay recreating the sound characteristics of a multi-head tape echo unit.
This model is a multi-tap delay that brings you expanded sound spaciousness. 1, 2 stands for different tonal variations.
This model is a multi-tap delay that brings you expanded sound spaciousness. 1, 2 stands for different tonal variations.
This model is a complex delay features 4 delay lines and a feedback matrix, generating an ethereal, shimmering delay effect. 1, 2 stands for different tonal variations.
This model is a complex delay features 4 delay lines and a feedback matrix, generating an ethereal, shimmering delay effect. 1, 2 stands for different tonal variations.
This is a special delay effect that combining normal feedback with pitch shifted slices.
This is a special delay effect creates dreamy, pitch shifted audio slices that spreading in L/R channels.
This delay model has a sweep filter affecting the delay repeats, which creates a unique sweeping delay sound.
This delay model comes with a unique tremolo that affects only the delay repeats. This is perfect for soundscapes cool and even creepy.
This delay model comes with a bitcrusher that affects only the delay repeats, producing lo-fi'd feedback.
This delay model comes with ring modulation that alters only the delay repeats, producing inharmonic feedback.
Kick it on and —!sdrawkcab seog gnihtyrevE This is a delay model that reverses the original sound. It's like we recorded your sound with a tape recorder and then played it backwards. That's where this model goes.
This delay creates unique, random glitch-y feedback like a skipping CD player, which is great for ambient/ expreimental musicians.
Hotone's effect list doesn't sub-divide reverbs — these groups are ours.
This reverb model recreates the spaciousness of a recording studio.
This reverb model recreates the spaciousness of a club.
This reverb model recreates the spaciousness of a concert hall.
This reverb model recreates the spaciousness of a live arena.
This reverb model simulates the sound characteristics of the vintage EMT® 140 plate Reverberator. The latest generation of modeling technology provides this model with a more realistic and high-quality sound.
This reverb model simulates a small plate reverberator.
This reverb model simulates a large plate reverberator.
This reverb model simulates the solid state spring reverb module coming from a combo amp.
This reverb model simulates the sound coming from a vintage tube driven spring reverb unit.
This reverb model creates a lush, shimmering reverb sound. 1,2 stands for different sound variations.
This reverb model creates a lush, shimmering reverb sound. 1,2 stands for different sound variations.
This reverb model creates a huge, thick reverb effect like curly clouds in the sky.
This reverb model creates a huge, lush reverb effect like silver linings of clouds in the sky.
This reverb model produces a clean, smooth reverb effect akin to the finest velvet silk in existence. The latest generation of modeling technology provides this model with a more high-quality sound.
Source: Hotone Ampero II Stage effect list, firmware V1.7.0.
inferred = Hotone describes the original without naming it
(e.g. "pretty much the first overdrive pedal the world ever saw" → Boss OD-1); the identification is ours.
Product names and trademarks belong to their owners and only identify the sound being modeled.
Photos are the property of their respective owners.
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